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Ippadai Vellum | |
---|---|
Directed by | Gaurav Narayanan |
Produced by | A. Subaskaran |
Written by | Gaurav Narayanan |
Starring | Udhayanidhi Stalin Manjima Mohan Soori Daniel Balaji R. K. Suresh Raadhika Sarathkumar |
Narrated by | Vijay Sethupathi |
Music by | D. Imman |
Cinematography | Richard M. Nathan |
Edited by | Praveen K. L. |
Production company | |
Distributed by | Red Giant Movies |
Release date | 9 November 2017 |
Country | India |
Language | Tamil |
Box office | ₹18 crore (US$2.5 million) |
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Ippadai Vellum (transl. This Army Shall Win) is a 2017 Indian Tamil-language action thriller film written and directed by Gaurav Narayanan, starring Udhayanidhi Stalin and Manjima Mohan in the leading roles, with Daniel Balaji, Soori, R. K. Suresh, and Raadhika Sarathkumar in supporting roles. The music was composed by D. Imman with editing by Praveen K. L. and editing by Richard M. Nathan. The film was released on 9 November 2017 to positive reviews.It was dubbed into Hindi as Revolver Raja 2.[1]
Plot[edit]
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Chotta (Daniel Balaji) is a terrorist, known for bombing various places in the past. He is currently jailed in a prison in Uttar Pradesh, India. He escapes the jail by planting a bomb there and moves to various cities across India, while planting bombs everywhere, killing many people. His next target is Chennai, and he heads towards the city to complete his mission. He often takes lifts from various vehicles across the highway. He communicates with his associates using a Gmail account by composing his messages, saving them as drafts, and providing the login details to his associates, who login later and delete the drafts meant for them after reading. Thus, their IP addresses remain untraced. The police issue a red alert across the country and issue an order to arrest Chotta, all over India. His photo is faxed to all the police stations, who begin their search.
Madhusoodhanan (Udhayanidhi Stalin) is a jobless software engineer, who recently lost his job due to recession. He is in love with Bhargavi (Manjima Mohan), a rich girl who is under the care of her elder brother Dheena Sebastian (R. K. Suresh), who is the ACP. Dheena opposes their love primarily due to religion, while also not liking Madhu from first instance. Bhargavi urges Madhu that they should get register married before Dheena could stop them. Madhu, being jobless, often borrows money from a notorious moneylender named Kanthuvatti Murugan (Ravi Mariya) and fails to repay it on time. Hence, Murugan is in search of Madhu. Just before the day of his marriage, he borrows his friend's car and promises to return it soon.
Kulandai Velu (Soori) is a dubbing artist who dubs for Chhota Bheem in Chennai. His wife lives in his native place and is expecting a child very soon. Kulandai promises to return to her soon after completing the day's work. He starts heading to his native place late that night on his motorbike. Chotta meets Kulandai on the highway and asks for a lift. He obliges and also borrows Rs. 200 to fill petrol at a petrol bunk for the bike. As they travel, they arrive near a police check post, who look for traffic violators. Chotta sees this and escapes upon thinking that they are looking for him. Kulandai is perplexed. After some time, while Chotta asks for a lift from Madhu, but he mistakenly hits Chotta and injures him. Madhu admits Chotta in a hospital and escapes from there as he did not have enough money to pay the bill. Chotta also manages to escape the hospital and reach his hideout place, a flat in an apartment building, owned by one of his associates, a lady who works as a manager, thus causing no doubts to anyone.
Meanwhile, the doctor who treated Chotta in the hospital comes to know from the news that Chotta is a wanted terrorist and informs the police. The police collect the CCTV footage from the hospital and the highway, which contained Madhu and Kulandai providing lifts to Chotta. Hence, they corner and arrest both of them. While being taken to custody, they are hit by a jeep and are injured, causing Kulandai to forget his past. Madhu thinks that Kulandai must be a real associate of Chotta and if he can make Kulandai tell the police that Madhu is not involved in this case, then he can escape. However, he is shocked to see Kulandai having forgotten his past. The case is handled by Dheena, who now gets a good chance to reject Madhu, as he doubts that he is a terrorist. Dheena plans to kill both of them in an encounter, but Madhu and Kulandai manage to escape. With help from Bhargavi, they all hide in her friend's flat, which happens to be just below the flat in which Chotta is hiding, in the same apartment. Chotta plans his attack in two days and sends the bombs to his associates. He tells them that he will mention the locations one hour prior, using the draft communication.
Sidify apple music converter 1 4 97. Madhu and Bhargavi take Kulandai to Dr. Thillai (M. S. Baskar) and try to regain his memory using hypnotherapy. Thillai successfully makes him regain his memory and he reveals that he too is innocent like Madhu. Madhu urges him to recall anything, while Kulandai gave a lift to Chotta. Kulandai tells them that Chotta made a phone call from the petrol bunk's public phone, and using lip reading, he manages to get the Gmail username of Chotta and his associates. However, he could not get the password, as Chotta was turned the other side while saying that on the phone. With help from his friend in a telecom industry, Madhu gets the number to which Chotta made the call and tracks down the number to the same apartment in which they are currently staying at. He identifies Chotta and manages to grab him, but Chotta overpowers him and escapes. Madhu chases Chotta, but Chotta gets away with his female associate escapes in a car. Madhu throws his phone and manages to record a conversation between Chotta and his female associate. Chotta also delivers instructions to the bombers about the locations to be targeted via a draft from his Gmail account.
Madhu manages to get Chotta's laptop from the flat and they decide to go to the police commissioner's office. Meanwhile, Bhargavi informs Dheena that Chotta and the female associate are escaping. Dheena starts to chase them in his car and manages to shoot down the female associate, killing her, while injuring Chotta. Dheena arrests Chotta and brings him to the police commissioner's office. The police uses narcotics to get the password from Chotta, and Madhu successfully logs into his Gmail account. He finds out about the plan. Since Chotta instructed the bombers to check the mail just one hour prior to the attack, the draft message remains unchecked by the bombers. Madhu deletes the drafts sent by Chotta and sends a new location detail to all of the four bombers, which happened to be the same location. As all the four bombers receive the draft by the next day, they go to the location which is a bus and plant the bombs, only to find out they have been set up. The bus is filled with police officers in disguise, who are in undercover work. They immediately arrest the four bombers and deactivate the bombs. Madhu is hailed as a hero for saving the city. Dheena also approves Madhu and gets Bhargavi married to him. Madhu manages to build his dream home. Dheena and his co-officers were transporting Chotta and the four bombers at a jail, but Dheena and his co-officers decide to kill all of them, as they are terrorists and do not deserve to live.
Cast[edit]
- Udhayanidhi Stalin as Madhusoodhanan
- Manjima Mohan as Bhargavi
- Soori as Kulandai Velu
- Daniel Balaji as Chotta
- R. K. Suresh as ACP Dheena Sebastian (Bhargavi's brother)
- Raadhika Sarathkumar as Madhu's mother
- Gaurav Narayanan as Police Inspector Tamil
- M. S. Bhaskar as Dr. Thillai
- Ravi Mariya as Kanthuvatti Murugan
- Nowfal as Chotta's right-hand
- Dr. Raichal Rebecca as Gayathri
- Shyam Prasad
- Mottai Sarath
- Gajaraj as Police commissioner
Production[edit]
In May 2015, Gaurav Narayanan revealed that he had finished preparation for his third film script titled Ippadai Vellum and was looking to cast actors.[2][3]Lyca Productions agreed to fund the venture in June 2016, with Udhayanidhi Stalin signed on to play the lead role. Manjima Mohan, who had been signed on to star alongside Udhayanidhi in Suseenthiran's shelved venture also featuring Vishnu and Megha Akash, was selected to star in the film to use her missed dates from the other venture.[4]R. K. Suresh and Daniel Balaji were also selected to play pivotal roles, while the film began production in September 2016.[5][6] Udhayanidhi worked on the film simultaneously alongside his work on Podhuvaga En Manasu Thangam and Saravanan Irukka Bayamaen, with Soori and music composer D. Imman also involved on all three ventures.[7] In April 2017, team has shot a song in Oman and during filming, Information Broadcasting Minister of Oman, Honourable Marwaan Yusuf met the director and thanked for choosing Oman for the shoot The song was costume designed by the actress Manjima mohan herself. from Chennai Thiruvnamalai Delhi Hyderabad[8] Filming has been completed in May 2017.[9]
Reception[edit]
Ippadai Vellum got good reviews among the critics.[1]
Soundtrack[edit]
The soundtrack was composed by D. Imman in his third collaboration with actor Udhayanidhi Stalin and second collaboration with director Gaurav Narayanan. The lyrics were written by Madhan Karky and Arunraja Kamaraj.
Ippadai Vellum | ||||
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Soundtrack album by | ||||
Released | 2017 | |||
Genre | Feature film soundtrack | |||
Language | Tamil | |||
Label | Lyca Music | |||
D. Imman chronology | ||||
|
No. | Song Title | Singers |
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1 | 'Ippadai Vellum Nichayame' | Shreya Ghoshal |
2 | 'Godfather Kanmaniye' | Aadharaa |
3 | 'Thodra Paakkalaam' | D. Imman |
4 | 'Kulebaa Vaa Neethan En Aasai' | Kumaresh Kamalakannan, Nalini Krishnan |
5 | 'Ippadai Vellum Theme' | D. Imman, Chennai Choir |
References[edit]
- ^ ab'Ippadai Vellum movie review: This Udhayanidhi and Manjima starrer is a smart commercial movie'. IndianExpress.com. 10 November 2017. Retrieved 10 December 2017.
- ^Saravanan, T. (2 July 2015). 'Take three…'. Retrieved 10 December 2017 – via www.thehindu.com.
- ^''Ippadai Vellum' for Gaurav Narayanan - Only Kollywood'. onlykollywood.com. 7 May 2015. Retrieved 10 December 2017.
- ^'Lyca signs Udhayanidhi to be directed by Gaurav Narayanan'. sify.com. Retrieved 10 December 2017.
- ^'Work on Udhayanidhi, Manjima Mohan film begins - SouthScope'. southscope.in. 16 September 2016. Retrieved 10 December 2017.
- ^'Udhayanidhi Stalin starts work with Rajinikanth and Vijay's producer - Tamil Movie News - IndiaGlitz'. indiaglitz.com. Retrieved 10 December 2017.
- ^Sundar, Mrinalini (16 January 2017). 'Udhayanidhi's next with director Gaurav'. The Times of India. Retrieved 19 November 2019.
- ^'Oman minister's surprise honour for Gaurav Narayanan'. Top 10 Cinema. 20 April 2017. Retrieved 20 April 2017.
- ^'Udhayanidhi-Manjima Mohan film wraps up'. Top 10 Cinema. 19 May 2017. Retrieved 21 May 2017.
External links[edit]
- Ippadai Vellum on IMDb
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Ippadai_Vellum&oldid=985134567'
Vellum is one of the oldest surfaces available to artists, and is among the most technically challenging. Used by medieval monks, Albrecht Dürer, and by the UK government to record Acts of Parliament, it continues to inspire contemporary artists, many of whom are finding innovative ways to engage with vellum in their work.
What is vellum?
While the term ‘vellum’ is sometimes used by manufacturers to describe the surface of fine art paper, traditional vellum is a form of parchment, specifically made from calfskin, that is cleaned, stripped of any hairs, and stretched over a frame to dry. Depending on the desired finish, its surface may then be abraded with pumice, and treated with lime or chalk.
Why use vellum?
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Although vellum is sensitive to moisture (which causes it to buckle), it is far more resilient than paper to water, fire, and repeated handling, and does not rot, ensuring its longevity over hundreds of years. Undistracted 1 76 – turn off everything that distracts young.
Alongside these practical advantages, vellum’s off-white surface allows light to penetrate through translucent watercolour, imbuing the works painted on it with a glowing quality that contributes to its aesthetic appeal.
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The history of vellum
Vellum has a long and illustrious history, and was described by the Greek historian Herodotus in the 5th century BC. In the Middle Ages, vellum was used in precious illuminated manuscripts, such as the Lindisfarne Gospels (produced in around 715 to 720 AD), and for important secular records, such as the Doomsday Book of 1086, and the Magna Carta in 1215.
The techniques used by artists in illuminated manuscripts also lent themselves well to portrait miniatures, which first became popular in the court of Elizabeth I, ensuring that vellum played an important role in art history even as paper and the printing press increasingly replaced manuscripts. From around 1700, however, miniaturists began painting on ivory, with vellum used mainly by botanical artists, such as Pierre-Joseph Redouté (1759–1840), a tradition that was revived in the mid-20th century by the remarkable Scottish painter Rory McEwen (1932–1982), whose work has inspired an entire generation of botanical artists.
Vellum 2 5 3 X 4
Working with vellum today
Contemporary painter Fiona Strickland is among those taking up the challenge of capturing botanical subjects on vellum, and has spent the past two years creating 18 vellum paintings that will be exhibited at Jonathan Cooper Gallery in London this September, a project that she describes as ‘a labour of love’.
Unlike paper, vellum is non-absorbent, meaning that watercolours sit on its surface, and must be applied using a ‘dry brush’ technique in multiple layers (with the artist waiting for each layer to dry before applying the next). ‘I apply the paint with a very small sable brush, slowly building subtle shifts in tone and colour to describe their form,’ Fiona explains. ‘It may take several hours or days to realise just a few centimetres and it can’t be rushed. It takes such tenacity and demands the utmost respect for the finest of artist’s materials.’ This painstaking process means that the largest of her works took over 400 hours to complete, yet the result is a glorious depth of colour that perfectly captures the form of her plant subjects, while also expressing intense energy and emotion.
Another artist using vellum to depict the natural world in a unique and striking way is the sculptor Laura Youngson Coll. After graduating from her MA at the Royal College of Art, Laura spent several years working for a traditional bookbinders, mastering the craft of leatherwork and working with vellum, which she then began to apply to her own sculptural installations. Her hauntingly beautiful depictions of lichen, cells, and pathogens have been exhibited at the Victoria and Albert Museum, the National Centre for Craft and Design, and won the Perrier-Jouët Arts Salon Award in 2014.
Tempted to try? Practical tips for working on vellum
Currency assistant 3 2 4 – convenient currency conversion. Despite the challenges that vellum poses to artists, it undoubtedly offers a fascinating surface and strong visual impact. Here are a few practical tips for working on vellum:
- Vellum is very responsive to water, and tends to buckle. Mask your sheet to a board before you begin working, or buy a sheet that has been professionally mounted on board.
- Ensure that your hands and forearms are completely clean and free of any oil or hand cream before you begin working, as this can transfer to the vellum surface and prevent paint from adhering to it.
- Watercolour does not behave in the same way on vellum as it does on paper, and colours can appear far more vibrant on it. Use a separate piece of vellum for colour studies before beginning your painting.
- Enjoy experimenting, and take comfort in the fact that mistakes can often be erased, either by lifting an entire area of watercolour off with a brush and water, or on some kinds of vellum by scraping back the surface with a ‘pounce pad’.
Where to buy vellum?
Once produced by over 50 companies, the UK now has only one remaining parchment maker, William Cowley, which continues to make vellum by hand from ethically sourced calfskin. Artists can purchase vellum directly from Cowley’s, or via many local art suppliers.
Further reading: